Ken Meisel
Quick Postcard
(The Angel of the Ravel District, Barcelona)
At the Hostel de los Ramos, on the balcony
looking down at us, a group of couples
jumped & jived to dance club mix. To techno.
A woman in a silver skirt waved seductively at me,
to everyone strolling down the street, & her lover
– black-crow hair, a jaw like a hammer –
bullied her with Spaniard machismo & after-dinner kisses
& just far enough away from the balcony
so that we couldn’t see what other excitements happened
between them. The air sparkled.
Barcelona’s crazy; it’s an enlargement of desire; it never stops,
my wife exclaimed to me as we hiked up the avenue
in & then and out of the Ravel district
where two lovers held tight to one another
& kissed beneath a sagging Sycamore tree.
The woman let him sip her beer.
I think we love an emptiness in us until it enlarges –
& then we make a world in that, I said.
My wife scooped me closer to herself & patrons
– across the street from us – watched soccer
at an outside bar where beer & tapas were served.
The air, salty now. Parakeets singing in palm trees,
just out of the ear’s range. The taste of the evening
somehow numbing our tongues with garlic,
with hot peppers…
& a raven-haired woman
hand-to-hand dancing with an old man
who had been playing a fiddle underneath
the cathedral’s gothic glow… the light of it youthful,
beautiful, fermenting…
“& the pirate life of the heart is always
an immigrant within a desire,”
the angel of the Ravel district offered,
hearing us speaking to one another.
“It’s a thief’s journal with an ache,” he whispered –
“& it’s a desire that forever tries to save its own life
in the impassioned arms of another;
& – you know –
it awakens in love’s election,”
the angel said to us there…
“& to be constantly present to one another
is the demand of living a true revolt
for the consent to breach the distance –
& I mean the distance
where beauty and reality are identical,
& that’s a love, without any fear,”
the angel said to us as we ran together
across the Las Ramblas into the old city.
& this is the part the angel told me to remember:
mendicants & revelers singing
Spanish military anthems & other travelers –
just sweet-hearted people dancing together
until even their histories
didn’t matter anymore; –
& the night heat changeless, like mezcal,
& the soft albino light of the street lamps
just like white fermented beans
glowing moodily
under the night’s
cabbage colors,
its rainbow sparkles…
You see, this is what we both remember,
& what I’m writing to you now:
Love & Beauty are a testimony of spirit that grace granted
into the incarnated vision of this world,
& to give it away so that it nourishes others
is all the night parade asks us to do . . .
&, but for each other,
we could knock the lamp shade from the moon
just to give it all up / just to hold the beloved
&
to touch the beautiful in us that can never change.
Ken Meisel is a poet and psychotherapist, a 2012 Kresge Arts Literary Fellow, a Pushcart Prize nominee and the author of eight books of poetry. His most recent books are: Our Common Souls: New & Selected Poems of Detroit (Blue Horse Press: 2020) and Mortal Lullabies (FutureCycle Press: 2018). He has a new book, Studies Inside the Consent of a Distance forthcoming in 2022 from Kelsay Books. Meisel has recent work in Concho River Review, I-70 Review, San Pedro River Review, The Wayfarer and Rabid Oak.