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Justin Hamm (3 poems)

<Cosmic time, it seems,>

Cosmic time, it seems,  

is nearly as wobbly

as musical time is steady.

Maybe this is why we advance 

in such uneasy lurches

like those first wagons

propelled by engines

minus mule or horse.

 

Some of us are deer

and move blithely through 

shivering bluegrass, 

some proud, imperfect 

mathematicians,

some the piston hearts 

of young mothers

who tremble as doctors

score our babies’ arms

and insert them 

with the infectious pus  

during the first few

frightening rounds

of smallpox vaccination.

 

What our elders knew

hangs low like heavy fruit 

in an orchard we mistrust, 

or trust too much, 

or simply torch--not for heat 

but the pure pleasure of fire. 

 

Maybe this is why,

when the serpent unhinges

its jaw and takes in its own tail,

it may or may not be

considered a cannibal.

Gratitude for the Poets

Thank you for the blood of peaches 

and the scarecrows boogying in the breeze. 

 

Thank you for taking the time

to polish the face of the moon.

 

Thank you for your slant rhymes 

and your lovely lyric wind chimes. 

 

Thank you for the beers, the coffee, 

the warm cookies. Especially the beers. 

 

Thank you, poets, for your postcards 

from the inner circles of hell 

 

and for speaking your particular spells 

into the shade of death. 

 

Thank you for Wednesday night church

and all fifty-two ways light can fall upon a leaf. 

 

Thank you for the broken pencil tips.

Thank you for teaching me butterflies 

 

have hearts inside their wings. 

Thank you for sneakers on city pavement  

 

and for bottling the acid of all 

the wars I never had to fight. 

 

Thank you for the mangers in your lips

and the tears in your guitars. 

 

Thank you for knowing. And wondering.

Doubting, suggesting, insisting. 

 

Thank you for your loyal horses 

and your dark woods filling with snow. 

 

For your pool sharks shirking school 

and the judgment of the midday sun.  

 

For the invisible drums thrumming 

beneath your pyrotechnical songs.  

For the ten-minute vacations 

and the laying on of hands. 

 

Thank you, poets, for giving 

love its own language.

 

Thank you for giving language. 

Thank you for giving love. 

First Flight: Chicago to Keflavik   

At 30,000 feet I photograph the sunset.

Fall asleep and dream of the time 

my old man dropped five feet from a ladder 

 

and bounced off the winter-cold concrete

outside our trailer, eyes rolling and white, 

low gurgle of panic humming in his throat.

 

When I wake an hour later to a new sun, 

I realize the hum is only the groaning 

of the airplane’s engine. Through the clouds

 

I glimpse pockets of glass-blue sea 

six miles down and consider how cold

it must be among the whales and porpoises.

 

I press closer to you, find that place on your neck,

the scent by which I’d know you if my eyes 

turned to ash or my ears sealed with rubble.

 

Before we left, you spoke of a will; I avoided it.  

Now, the first song on my playlist shuffle, Jeff Bridges: 

Funny how fallin’ feels like flyin’—for a little while.  

 

I pull my earbuds out, surrender to the engine.

Try to decide if 30,000 feet is high enough

to actually make out the old gods’ laughter.

Justin Hamm's most recent books are The Inheritance: Poems and Photos and Midwestern, a book of photographs. He is the author of two other poetry collections, American Ephemeral and Lessons in Ruin. His poems, stories, photographs, and reviews have appeared in Nimrod, The Midwest Quarterly, Sugar House Review, Pittsburgh Poetry Review, and a host of other publications. Recent work has also been selected for New Poetry from the Midwest (New American Press) and the Stanley Hanks Memorial Poetry Prize from the St. Louis Poetry Center. In 2019, his poem "Goodbye, Sancho Panza" was chosen as part of the curriculum for the World Scholar's Cup. It has been studied by approximately 50,000 students worldwide. In September, the WSC flew Justin to the Philippines to deliver the keynote address for their Manila global round.

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