Jennifer Bradpiece
Lullaby for an American Ex-Pat
The city is a woman.
Her eyes are Absinthe.
Her voice is ice.
When she speaks,
smoke pours from her nostrils
and floats up toward the diffusion
of starlight.
Her name could be Ashill
or Siena or Lyon.
But she is not merely quaint,
historic or scenic.
She is Praha. Timeless and ravaged,
dripping with garnets.
Her cobblestone legs open
Here your losses are
crumbling stone steps
you navigate slowly.
you catch your reflection in the water
as you stroll past the Vltava.
You see scaffolding, think “skeleton.”
The word “excavate” seems like flesh
you might penetrate. These words
become more intimate than
“hearth” or “home.”
You love her because you find her less foreign
than your room back home, saturated
by the scent of musty words and turpentine.
She is a canvas,
a blank gessoed stare you recognize
in relief at her skyline.
You toast her with Becherovka, soda water,
and lime, watching jazz cabaret
alone at U Maleho Glena.
The black and white image
on the matchbooks reminds you
of Dietrich.
December brings less devoted tourists.
They flirt with her at the Christmas fair
in Old Town Square, sip her hot mulled wine
from paper cups, but you forgive her anything.
A new year marks the anniversary
of when she took you in, a refugee
of loss with a need to lose yourself
in something other.
You sit down at a café near the
Mala Strana. Sketch a man with a thick
beard who sits alone in a corner,
a couple whispering into each others’ ears
a girl with sad eyes who keeps
resting her head on the heel of her hand.
You place the mug back on the saucer,
pick up your book and read afternoon straight
into evening. Years later you will swear
it was a book of poems by Lawrence,
but it may have been Rilke or Gilbert or a story by Kafka.
You tip an undetermined amount of Koruna,
nod at the waiter, slide a packet of sugar
between the pages to hold your place
and walk out into the night.
Behind your back, the city raises
one ironic eyebrow,
winks, and turns away.
Jennifer Bradpiece was born and raised in the multifaceted muse, Los Angeles, California, where she still resides. Her passion is collaborating with multi-media artists on projects. Her poetry has been published in various anthologies, journals, and online zines, including Redactions, Mush Mum, and The Common Ground Review. She has poetry forthcoming in The Bacopa Literary Review and Moria, among others. Jennifer's manuscript, Lullabies for End Times will be forthcoming in early 2020 by Moon Tide Press.