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Andrea Moorhead (6 poems)

Migrations

The child carried a turquoise amulet

on a hemp cord

someone told him the wind would pass over

and rain never soak

but snow remained on his heart

building a tower of phantom ice.

*

A corner of light caught in the curtain

disappearing

shadows as we move around the room

dropping dusty cells and floating hair

tripping over accumulated stones

swept in on an errant sea

If dreams were porous

The orphanage had neither doors nor windows

wind and rain slipped in overnight

soaking the blankets

every face suddenly and turning towards

the open spaces

shafts of dark and light

repeatedly hitting the frames.

If one were to communicate now

He’s buried words along the edge of the woods, somewhere near the granite boulders. There’s a small, fast stream on the southwest boundary. No words down there, maybe a comma or a semi-colon, nothing heavy. The water is still clear. The oak leaves have a bluish cast now, their veins intense emerald. I can’t recall seeing this before. The leaves shine while you speak, almost disappear in the silence that follows.

Quick Images

Rounding the corner, a streetlight on stilts, the way a child imagines it late at night after everyone else is in bed and the books have been shelved, there’s something in the darkness that glows and moves, following the path of least resistance, moving down the street, swaying with the wind.

If the window were open

Distant lights from a passing train

it’s windy close to the house

the windows are stained with pollen

buzzing around the door

the screens still in the shed,

I haven’t seen anyone out walking tonight

the train has slowed down

its lights twinkling,

a child opens his window

hoping to catch the sound of the whistle

as it crosses into the far fields

cutting its lights, turning into the night.

Andrea Moorhead, born in Buffalo, New York, is the publisher of the prestigious international magazine, Osiris. Her most recent book is The Carver's Dream (Red Dragon Fly Press). Her poems have appeared in journals such as Abraxas, Great River Review, The Bitter Oleander, Phoenix, Poetry Salzburg Review, and elsewhere.

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