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Allan Britt

DOWN MEMORY LANE

All those ancestors in the way

of rebirth, 

clogging the pores

of evolution.

 

Damn them & me.

 

Damn them & me,

well, well, well, well—

love eyelines a moonlit canoe,

her mother-of-pearl atoms

popping like piranha hunting

for heartaches.

 

Well, I saw a sign made

of mercury & on that sign

your voice over & over

dusted like crabapple petals

littering a tiger-striped school

bus's wooly caterpillar head.

 

Where have you been

all these years? 

 

 

 

 

 

 

 

 

 

 

 

 

PERFECTION

The poet seeks excellence

like a feathery sunrise

sweeping sawdust from

the creases of iguana eyes

hugging volcanic rocks

off the Sea of Cortez,

that is to say, effortlessly.

FAITH

Sling blue.

 

Wishful.

 

Ludwig's "Great Fugue,"

like it was written for his mother.

 

Teddy bear, cotton rag

beyond fascination

but requiring APA response—

nothing but APA sizzles

upper thighs into stainless affairs

across executive desks—neckties

askew, crumpled cotton, top button

AWOL, bussing lips scorpions—

tomorrow's another day.

EVOLUTION

Tax imaginations—as one expects

to gain from such folly—but there's

a dark side.

 

Always dark when lost in the Black

Forest of neurons minding someone

else's business, someone else's in the

prime of life—orchids saints enjoying

oral sex with nuns, plus philosophers

on the fringes of intelligence,

intelligence, I say, suspenders, fine,

but quasi-divine support of whatever

Existentialist notion bobs its nose

like a Peruvian turtle with banana stripes

from onyx cheek to feral neck that says

this swamp, this earthly heaven is all

I know. . . true, I haven't launched

satellites, & I haven't stretched cables

port to port, but there's one thing,

god, known by many as evolution,

DNA, survival—he/she/it goes by

many names— but one thing's certain,

my shell, this thing that protects me

from you & worships a frog in estrous

shielding ten quadrillion ampules

of eggs from her one trillion lovers

if nothing else has taught me,

in short, to grow the fuck up!

 

YELLOW MOON

The large yellow moon
slouches in her chair,
a tall rattan
scallop shell chair,
at the foot of the horizon.

 

This dysfunctional moon untangles
strands of straw hair
with one hand,
while reaching
through thick January darkness
with her other
to wipe dead frost
from my windowsill.

BANYON TREES

   In waking dream I saw Beethoven walking

through a field, dragging the Sixth Symphony

behind him. I expected to see William Blake

in the vicinity; instead he was doing laundry

in a strip shopping mall somewhere near

Parsipanny, New Jersey.

 

   I felt like a child, oddly, as Beethoven

approached, looking at me as he passed. It

was a playground, from childhood perhaps, in 

Florida. There were banyon trees scattered

around. All of which would explain my childlike

wonder.

 

   He had a look in his eye...intense...a

triangle of darkness. Yet I sensed there was

a polite smile as he fixed his penetrating

glance in my direction.

 

   There was so much I wanted to say...so many

questions. Emotions like waves rolled across

the playground...in between the fairy tale

roots of the banyons. I wanted to stop him

for one moment. Slow down his eternal stroll

for a few seconds. But I knew this was

impossible. Among other things, in his left

hand was a small bag of clean laundry.

—First published in The Bitter Oleander

Alan Britt has published over 3,000 poems nationally and internationally in such place as Agni, The Bitter Oleander, Bloomsbury Review, Borderlands: Texas Poetry Review, Christian Science Monitor, Confrontation, English Journal, Epoch, Flint Hills Review, Gallerie International (India), Kansas Quarterly, Letras (Chile), Magyar Naplo (Hungary), Minnesota Review, Missouri Review, New Letters, Northwest Review, Pedrada Zurda (Ecuador), Poet's Market, Queen's Quarterly (Canada), Revista/Review Interamericana (Puerto Rico), Revista Solar (Mexico), Roanoke Review, Steaua (Romania), Sunstone, Tulane Review, and The Writer's Journal. His interview at The Library of Congress for the Poet and the Poem aired on Pacifica Radio, January 2013. He has published 17 books of poetry. A graduate of the Johns Hopkins Writing Seminars, he teaches English/Creative Writing at Towson University.

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